
Artwork by Robert Gould
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It is the colour of a bleached skull, his flesh; and the long hair which flows below his shoulders is milk-white. From the tapering, beautiful head stare two slanting eyes, crimson and moody, and from the loose sleeves of his yellow gown emerge two slender hands, also the colour of bone, resting on each arm of a seat which has been carved from a single, massive ruby. | ![]() |
So goes Michael Moorcock’s “official” description of his albino antihero Elric of Melniboné, in this paragraph from Elric of Melniboné, written in 1972. (The yellow robe may be a nod to The King in Yellow by Robert Chambers.) Fantasy artist Robert Gould, who did the cover art for the Grafton/Ace-published Elric books in the 1980s, followed this passage for the depiction above. Gould’s style was very different from other SFF cover artists of the time, who were mired in colorful, action-packed realism. He was less painterly, more illustrative, relying on a pale, subdued palette worked in chalk and colored pencils. Very linear, like Ingres. His Elric is a grandiose icon, inert as a Kabuki actor in a pose, with hooded eyes and a glazed stare that has a disturbingly kinky undertone, as does his long, feminine fingernails. He holds a potion in his left hand like a chalice, for he needs regular ingestions of herbal tinctures to maintain his strength.

Artwork by Robert Gould
Elric appears again on the right with a female companion who looks none too thrilled at being in such close proximity to him and his overly shaggy eyebrows. Indeed, he looks like he might bight her tiny extended hand. In the stories, too, he is hardly a babe-magnet, aside from his one big love, his cousin Cymoril. Powerful, melancholy, philosophically constricted, he’s the perfect hero for a teenage boy.
Gould’s Elric is larger than life, but there are many other interpretations. The stories written prior to 1971, the year that can be considered Elric’s rebirth and renaissance, did not go into the details of his appearance, only that he was an albino and on the sickly side, relying on Stormbringer to give him strength. The first picture of him is below, on the cover of a pulp magazine from 1961 in which he made his debut.

Quite a difference, isn’t it? More manly and more generic, save for that outrageously patterned tunic and green cape, not to mention purple boots. Well, Melnibonéans always were great lovers of rainbow colors! You can see more retro Elric art here.








A more conventional Elric was generated later and you can see him to the side.





