Oct 28
Scarecrow and Tin Man from a 1902 stage production of The Wizard of Oz. I don’t know what makes it more creepy, the old-timey photo or the Scarecrow’s stiff-fingered, Leatherface-like appearance. In its time, though, it was a great success and the first version of Oz to be adapted into a script.
Oct 16
Elfquest, created by Wendy and Richard Pini, exploded onto the publishing scene in the early 1980s. A graphic novel series about, basically, hippy Native American elves who ride wolves, it took the comic world and SF fandom by storm, kick-starting the indie comic movement while also growing out of the earlier adult comic movement of …
Oct 08
The Silver Metal Lover by Tanith Lee DAW, 1981 The Silver Metal Lover is perhaps Tanith Lee’s best known novel after her three Flat Earth books. It may be the most beloved. Though an abiding Lee fan I was immune to its charms for many years until finally deciding to read it last summer. The …
Sep 30
Calligraphy follows shapes and spirals. A shell (caracola) and a pear. A lively looking butterfly with personality. What does it mean?
Sep 25
British author Michael Moorcock created a series of stories, novels, and metanovels about albino warrior Elric of Melniboné, referenced by me here. In that series, the made-up language was surprisingly consistent. Sometimes ridiculous, sometimes grandiose, the words Yyrkoon, Imryyr, and Xiombarg conjure up a sort of Solomon’s Demons / Chinese never-never land beyond time and …
Aug 21
Elric of Melniboné, that is. Elric was a creation of SFF writer Michael Moorcock and made his first appearance in 1961, in a novella titled “The Dreaming City” in the pages of Science Fantasy magazine. More stories followed later in the 1960s and eventually they were compiled, with added material and edits, into a a …
Jul 24
Iconic female characters for SFF are hard to find… and by iconic I mean they will be easily known by any reader with a good knowledge of the field even if rendered by disparate illustrators. Elric of Melniboné, who was in last week’s post, is one: armored albino man with a sword. Molly Millions, who …
Jul 10
It’s not only the translations of One Thousand and One Arabian Nights that have changed over the years; illustrations of the classic have changed as well. The oil painting Alnaschar’s Fortune, by William Ewart Lockhart, embodies a realistic, dramatic Victorian style, but starting in the 20th century, children’s book illustrators showed a move towards abstraction …
Jul 08
Some kinky, Aubrey Beardsley-like shenanigans are going on in this Arabian Nights illustration by early twentieth century book illustrator Kay Nielson. Not for kids.
