Lewis ended the Narnia Chronicles after seven books. Not only that, he burned that bridge behind him: In The Last Battle, both Narnia and the child protagonists are destroyed. But what if he made a never-ending series of Narnia, or allowed other writers to carry on his work, as L. Frank Baum did with Oz? …
Tapestry designed by Narnia illustrator Pauline Baynes for Plymouth Congregational Church in Minneapolis. It was part of a series that took 40 years to stitch, and the subject of recent controversy.
Lewis heavily drew on pulp SF and fantasy tropes to create the masterpiece that is Charn; but he also drew on the good old-fashioned fire and brimstone of The Bible. Since it was, and may still be, the most-read book in Western Civilization, it’s natural that many of its stories influenced fiction of a fantastic …
Lewis never again got as exotic in the Chronicles as he did in with Calormen. The Valley of Ten Thousand Perfumes, Lake Mezreel, the crossroads city of Azim Balda, the Flaming Mountain of Lagour… these places don’t come into the plots, they are mentioned only in passing. But they do add to the richness. Writing …
One of the questions I always wanted answered about Narnia-the-world is that of other civilizations. Sure, we had Narnia; then Telmar, dull and problematic as it was, and Archenland in Prince Caspian; in the next book Galma, Terabinthia, Calormen, and the Seven Isles came along, then Ettinsmoor and the Underworld in The Silver Chair. But …
First editions of the Narnia books, grouped all together.
Charn is my favorite Lewisian creation … more than Aslan, more than Narnia itself. No other place in fantasy embodies such grandeur, sinisterness, and decadence … which is quite the accomplishment, as Lewis only gives hints of it. Jadis herself says, in a reflective moment: I have stood here when the whole air was full …
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