Lewis never again got as exotic in the Chronicles as he did in with Calormen. The Valley of Ten Thousand Perfumes, Lake Mezreel, the crossroads city of Azim Balda, the Flaming Mountain of Lagour… these places don’t come into the plots, they are mentioned only in passing. But they do add to the richness. Writing …
One of the questions I always wanted answered about Narnia-the-world is that of other civilizations. Sure, we had Narnia; then Telmar, dull and problematic as it was, and Archenland in Prince Caspian; in the next book Galma, Terabinthia, Calormen, and the Seven Isles came along, then Ettinsmoor and the Underworld in The Silver Chair. But …
So, with The Last Battle, we come to the end of the Narnia series, and of Narnia. There’s not much to say, except “Everybody dies.” Or sort of. Really, it’s not as bad as all that. I actually started to read Battle immediately after LW&W, and was rather confused, as you can imagine. I wanted …
Charn vies with Tashbaan as my favorite Narnian fantasy setting. Not that I’d want to live there, of course. It’s dead, dry, and spooky. But Charn in its prime… well! It must have been something to see. One of the reasons it’s so evocative is the name. It’s short and blunt, like a location of …
The Magician’s Nephew ranks third (tied with The Horse and His Boy) as my Chronicles favorite for the Weird Tales awesomeness that is Charn. As I wrote in The Wild Lands of the North, Lewis was more than a little influenced by the pulps (and the pulps influenced by Lord Dunsany and E. R. Eddison, …
The Horse and His Boy ties for my third favorite of the Chronicles with The Magician’s Nephew. Perhaps Nephew has the edge, because of the awesomeness of Charn, the Wood Between the Worlds, and Aslan’s Garden. But Horse has Tashbaan and the desert. It’s a close call. The flavor is different from the rest of …
The 1970 version and a more recent one (right) The Silver Chair is my favorite Narnia book. The protagonists travel across and into many worlds — the mountains of Aslan’s country, the swamp of the marsh-wiggles, the bleak moors and the bleaker ruins of the giants; then the cavernous underworld and the subterranean city of …
In last weeks’ Worldbuilding Wednesday I took a look at the etymology of Prunaprismia and how other women of Telmar might have been named. This week, I’ll look at the men. I think Lewis designed his names with French and Spanish in mind. The pronunciation of them, glottal and oily, recalls spoken Italian as …
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