It’s getting close to the end of the 2022 Summer of Narnia. Though I got to explore some topics I wouldn’t have ordinarily written about (depictions of Aslan in theatrical productions, AI used to generate images of Jadis, my own Narnia fanfic) I’ve been remiss in exploring the ones I set out to do at …
The medium of dance calls for a different approach to the character. In the ballet version of The Lion, the Witch, and the Wardrobe, the characters do not speak and convey motion only with their bodies. This Aslan has a more catlike costume, but one that can let him move freely, at least as well …
Here’s a scene that is not depicted too often by artists illustrating The Lion, the Witch, and the Wardrobe — Aslan turning the petrified creatures in the witch’s courtyard back into flesh with his breath.
A very original take on the episode from the book. This artist has a great underground style straight out of a 1990s zine.
Just where the land of Narnia met the sea—in fact, at the mouth of the great river—there was something on a little hill, shining. It was shining because it was a castle and of course the sunlight was reflected from all the windows which looked towards Peter and the sunset; but to Peter it looked …
Mr. Tumnus pauses near the lamppost in this pen and ink illustration by Masianus Andrzej, which resembles a Victorian engraving.
Even in contemporary children’s and YA books (as of 2020, when I am writing this) it’s hard to think of a more shocking passage than the White Witch killing Aslan at the Stone Table. Four Hags, holding four torches, stood at the corners of the Table. The Witch bared her arms as she had bared …
Sample drawings from a (probably unauthorized) manga adaptation of The Lion, the Witch and the Wardrobe. Note Aslan seems to be wearing a crown of thorns and the dessert Mrs. Beaver is holding is a Swiss roll cake, a Japanese favorite.
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