Now we get to the last part of this series, where I’ll look at what Aslan could be, or might be, in some future production. Take the costume sketch above. This Aslan stands apart from all we’ve seen before, the concept part African and part Indonesian or maybe Ceylonese. He brings to mind the Indian …
Tag: Narnia
Worldbuilding Wednesday 7/6/22: Narnian Desserts (Narnia XXXV)
Turkish Delight is THE most iconic dessert, and most iconic food, of all the books in the Chronicles of Narnia, and I’ll put it up there with Lembas as the most iconic fantasy food, period. In fact, most people today would have never heard of it if not for The Lion, the Witch, and the …
Aslan on Stage (Part III)
The medium of dance calls for a different approach to the character. In the ballet version of The Lion, the Witch, and the Wardrobe, the characters do not speak and convey motion only with their bodies. This AslanĀ has a more catlike costume, but one that can let him move freely, at least as well …
Worldbuilding Wednesday 6/29/22: More Narnian Magic (Narnia XXXIV)
Magic is everywhere in Narnia; yet the characters don’t use it in the way the Harry Potter kids use it, or even how a party in a fantasy RPG would use it. Only in the first book is magic used fluently and for purpose by the main characters, in form of Peter’s sword and shield, …
Aslan on Stage (Part II)
In Part I we got to see a few examples of a puppet Aslan that served as the character in a staged version; now I’ll talk about the human-actor Aslan. Though puppet Aslan has the advantage of looking grand and mystical — especially accompanied by specialty lighting and sound effects — its use limits Aslan …
Aslan on Stage (Part I)
When comparing Tolkien to Lewis, Lewis wins in the theatrical department. Every year, around the world, theater groups are tackling The Lion, the Witch, and the Wardrobe, creating different interpretations of the same text by their choices of costume, casting, lighting and sets. I can’t see anyone staging The Fellowship of the Ring the same …
Worldbuilding Wednesday 6/22/22: Gods of Calormen (Narnia XXXIII)
In contrast to Narnia’s monotheism and its “true” God, Aslan, the desert nation of Calormen was polytheistic. Three gods are mentioned: Tash, Zardeenah, and Azaroth, all referenced in the book The Horse and His Boy, which was written by Lewis after The Voyage of the Dawn Treader, but published later. HHB was Lewis’s ode to …