[The] two Kings and two Queens with the principal members of their court, rode a-hunting with horns and hounds in the Western Woods to follow the White Stag. — from the The Lion, the Witch, and the Wardrobe In Part 1 of this essay I explored the myth and folklore of the White Stag, and …
It’s getting close to the end of the 2022 Summer of Narnia. Though I got to explore some topics I wouldn’t have ordinarily written about (depictions of Aslan in theatrical productions, AI used to generate images of Jadis, my own Narnia fanfic) I’ve been remiss in exploring the ones I set out to do at …
I thought the strange pool in The Wood Between the Worlds would take me back to Charn, but I landed here instead!
In this post I’ll talk about how Lewis wrote his fauns and satyrs, which are not the most child-friendly of mythological beasts. Are you ready? Because everything you think you know about them is wrong. First of all, the original satyrs of Greek myth did not have goat legs, horns, and tails. Those were attributes …
This is another of those posts that is informational rather than a set of randomly generated names. Say “mythological creatures” and “Narnia” and most people even with a passing knowledge of the series are likely to think of dryads, naiads, satyrs and fauns. (And centaurs, but for this post I’m going to stick with fauns …
Aslan, the God figure in the Chronicles of Narnia series, is but one of a long line of powerful sacred, mythological, or supernatural lion creatures. And no wonder. Lions are apex predators, golden as the sun in color, and the males have a kingly mane. Tigers may be larger and more eye-catching, but they lack …
Previous parts of the series can be read here (Part I) and here (Part II) Ever wonder why The Lady of the Green Kirtle — also known as The Green Witch — seems to have little sprigs of greenery decorating her gown and hair in Pauline Baynes’ illustrations of her? Well, it’s because of this. …
When comparing Tolkien to Lewis, Lewis wins in the theatrical department. Every year, around the world, theater groups are tackling The Lion, the Witch, and the Wardrobe, creating different interpretations of the same text by their choices of costume, casting, lighting and sets. I can’t see anyone staging The Fellowship of the Ring the same …
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