Aslan, the God figure in the Chronicles of Narnia series, is but one of a long line of powerful sacred, mythological, or supernatural lion creatures. And no wonder. Lions are apex predators, golden as the sun in color, and the males have a kingly mane. Tigers may be larger and more eye-catching, but they lack …
Now we get to the last part of this series, where I’ll look at what Aslan could be, or might be, in some future production. Take the costume sketch above. This Aslan stands apart from all we’ve seen before, the concept part African and part Indonesian or maybe Ceylonese. He brings to mind the Indian …
The medium of dance calls for a different approach to the character. In the ballet version of The Lion, the Witch, and the Wardrobe, the characters do not speak and convey motion only with their bodies. This Aslan has a more catlike costume, but one that can let him move freely, at least as well …
In Part I we got to see a few examples of a puppet Aslan that served as the character in a staged version; now I’ll talk about the human-actor Aslan. Though puppet Aslan has the advantage of looking grand and mystical — especially accompanied by specialty lighting and sound effects — its use limits Aslan …
When comparing Tolkien to Lewis, Lewis wins in the theatrical department. Every year, around the world, theater groups are tackling The Lion, the Witch, and the Wardrobe, creating different interpretations of the same text by their choices of costume, casting, lighting and sets. I can’t see anyone staging The Fellowship of the Ring the same …
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