Writing Advice from C. S. Lewis

 

Worldbuilding Wednesday 8/20/25: Let’s Talk About the Splendour Hyaline (Narnia LXXII)

Close to what I imagine the ship looked like, minus the sails.

“It’s like old times,” said Lucy. “Do you remember our voyage to Terebinthia—and Galma—and Seven Isles—and the Lone Islands?”

“Yes,” said Susan, “and our great ship the Splendour Hyaline, with the swan’s head at her prow and the carved swan’s wings coming back almost to her waist?”

“And the silken sails, and the great stern lanterns?”

“And the feasts on the poop and the musicians.”

“Do you remember when we had the musicians up in the rigging playing flutes so that it sounded like music out of the sky?”

This passage, from the beginning of Prince Caspian, hints at the adventures the Pevensies had as adult kings and queens in Narnia. In fact, aside from The Horse and His Boy, it’s the only place their royal lives were described. (The hundreds of fanfics don’t count.) It’s more than a little bittersweet, though the  idea of hanging musicians in the rigging (that is, the sails) seems ostentatious; it’s the sort of thing the Narnian equivalent of Kim Kardashian might done. I mean, if I was a musician I certainly wouldn’t want to be dangled from the spars on a windy, moving ship, though to be fair, likely it happened when the ship was moored for a party.

That aside, I had always assumed the Hyaline of the ship’s name referred to springtime, as the similarity to hyacinth suggests. Not so! Hyaline is an archaic English word that refers to a smooth or glassy appearance that can be either  transparent or semitransparent.  It is derived the Greek hyálinos, meaning transparent, and hýalos, meaning crystal or glass. Together with Splendour the name suggests a ship sailing on a clear, glassy stretch of sea, as hyaline was also used as a poetic synonym for a body of water or even the sky.

From heav’n-gate not far, founded in view
On the clear hyaline, the glassy sea.

— John Milton, Paradise Lost

These days hyaline is rarely used even in poetry. It mostly turns up in medical terminology where it refers to all sorts of nasty stuff.  Which makes sense, given in how it made the jump from Greek to Latin.

I imagine most Narnian sea-faring ships had similar high-falutin’ names, such as The Dawn Treader which was built after Caspian’s Telmarine liberation. In fact, I’ll postulate the Pevensies kept two Royal ships in the Golden Age, the other being named the Splendour Opaline. It makes sense.

Using a mix of lovely-sounding archaic words, here’s some ship names the Narnians might have used. (More than a few sound like modern-day cruise ships, but oh well.)

 

Names of Narnian Ships

Vesperwinds

Sovereign Drifter

Argent Pilgrim

Splendor of the Foam

Gossamer Tempest

Graven Solace

Silverlark

Lucent Victory

Herald Incarnadine

Nocturne’s Breast

Thalassa Rose

Empress of the Dawn

Marvelous Serendipity

Splendid Encomium

Glory Clinquant

Marvel of Helios

Halcyon Princess

Lunar Enchantment

Eventide Harmony

Starspinner

Narnian Group Costuming

Along the lines of the lamppost post (punny!) below: it’s not so hard to create a Narnian costume, even a group one. This trio used an expert hand in theatrical makeup along with some simple costumes and props: fur coat, Halloween  wig, white garments, and a nicely painted cardboard box, with hangers. It gets the point across.

The Lamppost

Here we have one of the most overlooked characters in The Lion, the Witch, and Wardrobe: the lamppost. The young lady portraying it clearly takes her job very seriously. She shows no emotion, as a pole made of metal and glass would, and should. Other members of the play’s cast might have danced and cavorted around her, wept and laughed, overacted; but she remains stiff and stoic, handling the role as an honor, even if she had been overlooked for the more plummy parts.

Worldbuilding Wednesday 8/13/25: Caravan Stops of Calormen (Narnia LXXI)

Calormen Outpost, by Gkaida

Cavaransies have existed for thousands of years along trading routes in India, the Middle East, and North Africa. They provided travelers a place to eat, rest, and restock their supplies. Usually they were set at intervals along the road, the spacing calculated by the time spent in a typical day’s travel. Many of them were built like forts, high walls keeping out bandits and such and an open interior to keep animals and warehouse goods. As some caravans could contain up to 500 camels, the size of these places was truly titanic.

Exterior of a large caravansery in India

There were no caravanseries in Calormen’s Great Desert. Lewis tells us there was only a single oasis between Tashbaan and the Archenland mountains,  and that was too small to support a large army’s passing. That was why neither Archenland or Narnia were ever invaded by land. But other parts of Calormen were connected by trading roads and the Tisroc likely sponsored traveler’s rests there. One is hinted at in The Horse and His Boy: the city of Azim Balda, situated at a crossroads, where messengers rode out. (Courier services were also a feature of caravanseries.)

In that vein, here’s some caravansary stops with evocative names.

 

Caravan Stops of Calormen

Pool of Flying Feathers

Chamna Cistern

Nine Palms Oasis

Caverns of Ishaq

El-Tahyal Caravansery

Spring of the Faithful Virgin

Tashrani Salt Pans

Tower of the Sparrow

The Jeweled Oasis

Ruins of Saam-Hur

Fort Chemandz

Lost Lake

 

Worldbuilding Wednesday 8/6/25: Foods of Archenland (Narnia LXX)

Like the Seven Isles, not much is known about Archenland. In the books it serves as Narnia’s steadfast ally,  a typical Medieval European country ruled by humans that lacks the magic ** and the Talking Beasts of Narnia. It figures most prominently in The Horse and His Boy. Lewis gives it a few quirky details, like brothers having short first names which in the younger one is extended by a syllable (see Twins of Archenland) but other than that it isn’t explicitly fleshed out.

However, we can infer quite a lot about it from what is there. It is a mountainous country, and some of those mountains are high enough to be snowed in at winter and act as a protective barrier to Narnia. It is likely landlocked because no Archenlandian navy is mentioned. It is a rural place and its people are neither traders or warriors, and as country it has existed for a very long time without any major disruptions, ones that we know of anyway.

All of these factors make me think of it as a kind of Switzerland, leaning mostly on the Germanic side, and in that vein I came up with some unique dishes for it.

 

Foods of Archenland

High Summer Roast: Wild boar doused with thickened dark ale, then spit-toasted over a fruitwood fire. Wood from an apple tree is best.

Ironcake: A rye flatbread baked on a flat river stone that has been heated in a fire. Delicious when topped with pork cracklings or served with Moonmelt.

Moonmelt: There is a legend in Archenland that the moon is made of cheese. This dish is similar to a Swiss fondue in that several types of cheese are combined in a copper pot in which pieces of bread or other food items are dipped.

Dundlefiskel: Smoked fish served with sweet pickles as an appetizer.

Kingsmash: Well-boiled potatoes, turnips, parsnips, and carrots mashed together with butter and goat cheese curds. The wet mixture is poured in a deep casserole dish and topped with bread crumbs and parsley, then baked in the oven until the top is crispy.

Archenlandian mulled wine: Served at the Yule holidays. Spruce resin is one of the many spices that give it a distinct flavor.

Gleisten: A pale cider made from late apples and pears flavored with alpine herbs.

Applehoney Pie: Said to have created by Queen Aravis who missed the honey-flavored desserts of her native Calormen. Honey is used liberally in this pie instead of sugar and the crust is exceptionally sweet and flaky.

** There is the magic pool of The Hermit of the Southern Marches, but it’s not clear if he’s within the borders of Archenland or not.

More White Witches on Parade

Design for a book cover with the kids and the witch, who, with her golden halo, looks like an evil saint. I like how the artist caught aspects of the kids’ personalities here and gave them the correct hair colors that were in the book.

An angry witch who appears to screaming  “Hand over that traitor right NOW!”

The witch on her throne surrounded by petrified creatures. She looks a bit petrified herself.

An epic, mature White Witch by artist Denver Balbaboco who might have stepped out of an Wagnerian opera.

A manga White Witch. This is the scene where she offers Edmund (who is inexplicably kneeling in the snow) the Turkish Delight, but she’s a bit too wholesome and cheery for my taste. Edmund’s nighttime getup is copied from the movie, the witch’s bubble grown from this Leo and Diane Dillon rendition.

This White Witch, from a stage production, is so vain she has her own face carved into the back of her “throne” (a fabric-draped wicker peacock chair, once a Pier One specialty.) Her majorette hat, combined with her wimple and kimono-like gown, is inspired, despite the cheap-looking Maugrim who’s wearing a Halloween werewolf mask on his head.

THIS is how you do a White Witch / Edmund Halloween costume couple!

A mournful White Witch print by artist Jonathan Bean, who did a whole series of alternate Chronicles covers available as signed, limited-edition prints.

Say WHAT?

White Witches on Parade

Artwork by Lara Carson

Here’s a number of interesting White Witches that I found over the course of a year. The above one is of Jadis in her… chariot! She kept it stored in her garage in case the snow melted. In the Walden movie it was pulled by polar bears.

Another unusual one is this fiber arts White Witch — based on a still from the Walden movie — with embellishments of embroidery, faux pearls, silver chains, and sequins. It was an Etsy offering.

Jadis, by Jade Alexandria

Jadis past, in her first life as Queen of Charn, and Jadis present, as the White Witch.

Jadis tempts Edmund, but he’s skeptical. The colored pencil works well with the storybook, childlike style.

Artwork by Don Sparrow

A simple sketch that conveys the witch’s cunning and evil.

Jadis, Queen of Narnia, by enjay_dee_deyzoh9

The witch wears a featherlike (or scaled?) gown here with a gold crown, as is correct. “How do you like my manicure, dearies?”

Artwork by Ellen Walker

A mop-top Edmund shivers with pleading eyes and Jadis reacts in fear? Surprise? It might be the moment where Edmund tells her he has brothers and sisters and she realizes the prophecy may be fulfilled.

A different take on the White Witch — ripped! AI art.