
Don’t you hate when that happens?

Don’t you hate when that happens?

by Kameron Hurley
Tor, 2016
Kameron Hurley is one of a new generation of feminist SFF writers who began to publish in the 2010s, when social media began is phase of near-ubiquitousness, a cornucopia of hype, much of a geek-related. By geek I mean SFF in its many media — games, fanfic, fiction, movies, and reviews of those media. It’s a situation similar to the old Pohl Anderson story the “Man Who Ate the World” where manufacturing has become so cheap and widespread citizens must consume a certain amount of goods every day so the system doesn’t collapse. (The problem in the story comes from a man who is driven to consume too much, causing power blackouts.) I think we are living in that kind of world today, where media of all sorts is constantly clamoring for our consumption and being publicized and touted by other consumers, making yet more media.
But Hurley navigates this web with ease. Her essays, of which this is a collection, are about the intersection of feminism with this riotous tumult, ranging from Anita Sarkeesian and Gamergate to the Sad Puppys/Hugo Awards debacle of 2015. There is also much written about the depiction of women in media, and the issues that come with being an outspoken women in media. And make no mistake, in 2019 media depictions of women are still problematic in many ways.
Her essays are very readable and move along breezily, influenced by her advertising work. Her most tweeted and linked essay, “We Have Always Fought,” which one a Hugo award, discusses the role of women in war, giving lie to the notion we were just passive homebodies waiting at home to be raped or the menfolk to come home. There is so much SFF fiction written even today that still shoves women into a passive role, not to mention the books that are still out there written in previous years that are still being read. It is food for thought and I think every SFF writer should read it.
The essays referring to recent events in the SFF world are worth reading also if you have only a tangential memory of them. Time passes at lightspeed on the internets and it’s easy to forget or overlook; these events are also referred to in the present which also happens at lightspeed, so they were a good overview of the situation(s).
Hurley also writes about the art of writing itself, and the decisions to inculcate, or not inculcate, the attitudes of The Biz. Frankly I’d say. And these are worth reading also.
She does get a too personal and drumbeating at times, particularly in an essay where she mentions a grandmother living under the Nazis (my dad killed Nazis) and an abusive relationship when younger (my ex-husband tried to kill me) that, though meant well, might not resonate with everyone. It depends on one’s age; the author is at least 20 years younger than I. On the other hand, an essay about being hospitalized in a coma, and awakening to find one is suffering from diabetes, is a very good indictment of the American Health System and an unspoken commentary on the nature of American work, where one must keep a job, no matter how vile, to ensure health insurance simply for one’s survival.
The writer also has interesting things to say about 2015’s Mad Max: Fury Road movie and its feminist aspect. I am reading Richard Morgan’s problematic grimdark fantasy The Cold Commands now and I would dearly love to hear what this author says about that. I think it’s so patently offensive and overly trope-twisting it’s hilarious, but like feminist author Suzy McKee Charnas’ Walk to the Ends of The World, which is anti-female grimdark as harsh it comes, might it mean something more?
Hurley also writes about her fascination with woman as strong, silent loner characters, like the male protagonist of the 1980s movies she grew up on, the Bruce Willises and Patrick Swayzes. It’s something I don’t personally relate to, yet she makes a case for them, and I enjoyed getting a secret peak into her character fetish, as it were.
Five stars and recommended.
My short story “Gold and Ivory” appears at the end of this marvelous collection!

Alternative Truths III: Endgame is the final volume in the best-selling Alternative Truths series from B Cubed Press. Edited by Bob Brown and Jess Faraday, Endgame features 30 of today’s best writers and political thinkers taking a look forward at possible outcomes of our political decisions.
Humor and satire reign supreme in this collection. If you want to laugh, read Jim Wright’s “Bathroom Breakdown,” a side-splitting vision of Donald J. Trump at his best or follow the antics of a beleaguered Attorney General in Debora Godfrey’s work, “No Excuses” as he tries to convince the President that he has tried and convicted Hillary Clinton.
This collection has visions of a better world as well. In Paula Hammond’s “Fortunate Son,” we explore what kind of man Donald Trump might have become had he answered his country’s call and served alongside his fellow Americans in the Vietnam War.
Most of all Endgame will make you think, with thought-provoking essays by the likes of David Gerrold and Adam-Troy Castro as they seek to share their understanding of how this happened and what do will we do.
A significant portion of the proceeds of this book are donated to the ACLU of Washington to honor and support their unending quest for the freedom of the American people to express themselves.
The book is available in print and electronic media from Amazon.com.
ISBN-13: 978-1-949476-05-7
Electronic ISBN-13: 978-1-949476-06-4
The book is priced at $5.99 for ebook and $12.25 for print. The book is published by B Cubed Press and can be followed on Twitter @BCUBEDBOB.

For all my fooling around with steampunk slang, clothing, and book titles, I doubt I’ll ever write one.
Why?
I don’t like the Victorian Age that much
Oh, I’ve tried to like it. I had an older sibling who was infatuated with Victorian decor, china, and 1980s Victorian revival fashions. I liked them from an aesthetic viewpoint. They were pretty and feminine and nostalgic. For a while all the blouses I wore had to be cotton or linen, and ironed by hand with starch or sizing. I liked flouncy, flowing skirts and delicate jewelry, too. But, they really didn’t fit my lifestyle, which was all about activity and getting dirty. I didn’t like feeling like a shy virginal flower either. My nature is more direct. They didn’t fit with who I was. I can admire the delicacy and prettiness of a china tea service, but even for home decor it doesn’t fit me. I like the bold, natural colors of Mexico and things that look handmade. I like natural wood and nature motifs and real leather. It’s something that says home to me.
Actual Victorian women’s fashions, the kind you’d see in a museum, bring to mind psychic and physical pain. I’ll never forget a passage from one of the Little House on the Prairie books where Laura is annoyed with her goody-goody older sister Mary because Mary sleeps in a corset and Laura can’t, because she likes to be able to breathe. Now, I know there are corset revisionists out there who say corseting isn’t really all that bad, you just have to get one that’s properly fitted, yadda yadda yadda. But the truth is, they were made to keep upper and middle-class women inactive and on display. Working women, like these lady’s servants, used corsets to support their bosoms but did not lace themselves so tight they could not work. Tiny waists indicated that a wife or daughter need not lift a finger. That was for the peons.
The heaviness of Victorian clothing repulsed me also. I grew up in hot, humid New Jersey where even shorts and a tube top failed to keep one cool in the August heat. To be corseted and wrapped in multiple petticoats, sleeves, and layers was a thing that sounded like torture. Even if the world was a little cooler back then and the dwelling rooms higher and more airy.
I also hated the waste of it all. As a child I read in an animal book that many species of birds almost went extinct because they were shot for their feathers which were used for lady’s hats. Tiger skins, beaver pelts, elephant ivory, scrimshaw… all this Victorian frippery was evidence of the wholesale slaughter like the nature was a never-ending fountain of riches. And let’s not even go into British, Dutch, German, and French colonization of Africa, India, and other places and the colonizers’ treatment of native peoples, which often received “scientific” justification from the nascent field of genetics.
And of course, there’s the wholesale pollution of rivers, air, and cities because of industrialization and the burning of coal. London in particular suffered from horrendous sulphor fogs which persisted even into the 1950s.
I couldn’t even start reading The Difference Engine, one of the books that started Steampunk on its way, because the first chapter was about the proverbial hooker with a heart of gold. That’s one trope I was tired of even when it came out.
But… who knows. Perhaps I might write some dystopian Steampunk story in the future, something horrendous and disturbing.
Need some ideas for yourself? Here’s a list of more randomly generated titles.
Gears of Beguilement
An Affair of Soulless Spectacle
The Affair of the Brass Parasol
The Bronze Homunculous
The Partisan Turbines
Black Sparks
Whispernought
The Recollections of a Pallid Gentleman
The Eurhythmic Breath of Angels
An Incident of Wondrous Scandal
The Alloy Runner
The Compass Thief
Skycloister
A Scoundrel of Queer Rebellion
Chemical Paradise
The Girl in the Pallid Cameo
A Steam-Driven Mirror
Livingstone’s Cigar
The Pneumatic Throne
Vacuum Cloud
The Tick-Tock Hunter
The Turbines of Phantasm
At the Wireless Circus
The Steam-Driven Summer
The Warlord’s Compass

The Hell…? Someone please tell me what this is.

In Vonda McIntyre’s novel Dreamsnake a herpetologist/healer (also, rather creatively, named Snake) on a post-apocalyptic Earth relies on Mist, an albino cobra, Sand, a rattlesnake, and Grass, an alien creature that resembles a snake, to cure the patients she meets. By feeding them different chemical concoctions, their venom becomes a means of healing rather than death.
In real life, venomous snakes are some of the most feared creatures known. As many as 94,000 people per year die worldwide because of snakebite. Most are located in rural areas where they do not have access to modern medical facilities where antivenom is available. In Quentin Tarantino’s Kill Bill movie duology, his assassins are named after snakes: Cottonmouth, Copperhead, Diamondback, Black Mamba, and California Mountain Snake, the latter species entirely fictional. (I suppose he might have meant the California Mountain Kingsnake, a look-alike for the very poisonous Coral Snake, and gotten confused. )
In the market for a deadly fictional snake of your own? Here’s a list of randomly generated made-up species.
| Sapreek
Gabravang Copperdink Urukrait Malasaka Golden Keelsnake Red-faced Constrictor Urucolo Tragabra Golden Kranet Shadowblink Cosaille Tapajah Bloodfisher Marmulesse Gully Assassin Yellow-spotted Krait |
Blue Groundskeeper
Swamp Mamba Tragoon Blind Habu Wangasaka Vinemaster Stonelevee Gammazin Grayspit White-eared Python Snub-nosed Sandlurker Yellow-ringed Asp Green Anaskin Mud Viper Bonecracker Birdlurk Amphisda |




A selection of covers for Vonda McIntyre’s dystopic SF novel Dreamsnake.
RIP Vonda.

Author Madeleine L’Engle wrote a heckuvalotta novels. In addition to the Wrinkle in Time (or the Kairos series as she called it) books pictured above, she also wrote a second generation series about the same family, plus the Chronos series about the Austin family, the Katherine Forrester series, and the Camilla Dickinson series. One thing all of these books have in common is the mystical nature of their titles. (Read my reviews of A Wrinkle in Time and A Swiftly Tilting Planet.)
If the author had written more, or had some stashed away in a safety deposit box, they might sound like these, courtesy of random generation, and open for use.
An Irrational Miracle
A Patient Stitch in Fate
A Shadow Comes Striding
Small Greens
A Cloud in the Window
Take a Breath for Treading
An Empty Knot of Knowledge
A Pocket of Wisdom
Elder Waters
The Dragon in the Parlor
The Patient Sphinx
Empty Places in a Young Heart
An Oddly Watching Interface
Grooves in the Water
The Joyful Hemisphere
Small Patterns of Creation
A Breeze through the Palace
Watching Whispers