The 1970 version and a more recent one (right) The Silver Chair is my favorite Narnia book. The protagonists travel across and into many worlds — the mountains of Aslan’s country, the swamp of the marsh-wiggles, the bleak moors and the bleaker ruins of the giants; then the cavernous underworld and the subterranean city of …
The Icon The most iconic character (after Aslan the Lion, that is) of The Chronicles of Narnia is The White Witch, the villainess of both the first book and the sixth, and referred to in all the others. She’s a sorceress, a wicked queen, a petty spoilsport, a warrior general, and a femme fatale all …
This boxed set of The Chronicles of Narnia was my Holy Grail for a few years. Released in 1970, it was the first time all the books were offered together in a decorated cardboard slipcase. The original Baynes drawings were used on the inside, but the covers, with their vague art deco leanings and childlike, …
It’s pretty hard to find artwork of fantasy characters using magic items, even wands. Most contemporary artists just picture them with blasts of energy flying from their hands, which is visual shorthand for “MAGIC!” Rowena Morrill is one of the rare few who has depicted them. She actually read the books and took notes of …
Here’s the book that started the erotic vampire story trend. Released in 1994, at the height of the Splatterpunk trend, Love in Vein mixed vampires and sex in a new, explicitly adult way. Featuring fantasy and horror heavyweights like Kathe Koja, Gene Wolfe, and Charles de Lint, with an opening essay by Poppy Z. Brite …
The Silver Metal Lover by Tanith Lee DAW, 1981 The Silver Metal Lover is perhaps Tanith Lee’s best known novel after her three Flat Earth books. It may be the most beloved. Though an abiding Lee fan I was immune to its charms for many years until finally deciding to read it last summer. The …
Surely its name was S’phink-Ter?
Isn’t this the prototypical damsel-in-distress image? Seriously, it strokes my sweet spot: the leering, Lon Chaney Jr.-as-Phantom of the Opera-like face of the villain and his floridly brandished pocket watch, and the wide-eyed look of the blonde, which is not so much terror as a mesmerized disgust. (The man tied up behind her seems to …
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