I love the detail on this piece and how the story of The Lion, the Witch, and the Wardrobe has been culturally translated. The artist drew on the imagery for the movie, not the book, as the polar bears and armored centaurs attest… as is High King Peter riding on his unicorn.
The Icon The most iconic character (after Aslan the Lion, that is) of The Chronicles of Narnia is The White Witch, the villainess of both the first book and the sixth, and referred to in all the others. She’s a sorceress, a wicked queen, a petty spoilsport, a warrior general, and a femme fatale all …
This artist’s depiction of Aslan, with its eerie staring eyes, shares a disturbing similarity to the cat pictures of popular Victorian English artist Louis Wain. Wain is often cited in psychology textbooks as a classic case of how schizophrenia alters the afflicted’s sense of reality.
Cair Paravel, Narnia’s royal castle, as depicted in a Pauline Baynes illustration from the original book, and in an artist’s concept for the movie. The movie version is larger and grander but keeps to the same outline.
It’s pretty hard to find artwork of fantasy characters using magic items, even wands. Most contemporary artists just picture them with blasts of energy flying from their hands, which is visual shorthand for “MAGIC!” Rowena Morrill is one of the rare few who has depicted them. She actually read the books and took notes of …
Artist Sabine Feliciano’s fabric rendition of a biology lesson.
Alfred Hitchcock in a publicity shot for Dial M for Murder, 1950
“And yessss? Deconstructivism, postmodernism, neoexpressionism, what you say?”
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