Narnian Witches: The Lady of the Green Kirtle

Now let’s take a look at more depictions of The Lady of the Green Kirtle, aka the poisonous, hypnotic Green Witch.

The simple pic at the right puts her in a stuffy Medieval headpiece similar to the one worn by Barbara Kellerman in the 1989 BBC version. But she’s more at ease in it, bending over to kiss a horrified Prince Rilian who is strapped to his chair.

“Make it STOOOOPP! Make it SSTOOOOPPP please!”

Besides the Silver Chair, the Green Witch’s other magical items include her mandolin and a hypnotic smoke generated by a green powder she throws on the fire. (I always took the powder to be a stand-in for opium.) Wickedly complacent, the witch strums her lute as the prince, none too securely bound, rolls his eyes and begs for mercy.

The following are not depictions of Lewis’s Green Witch, but they could be.

From a turn of the century children’s book. I like the slinky dress and the old-fashioned chivalry that’s implied, chivalry that’s presented as less than wholesome by Lewis in the book.  Plus, she’s wearing a souped-up version of a green kirtle. If you’re wondering what a kirtle is, skip ahead. I also like the little dogs.

Lady Owein, by Alan Lee

There’s another dog, a greyhound, in this watercolor by Alan Lee who is known for his illustrations of Middle Earth.  Again, not the Green Witch, but I like the Medieval feel of it and the calculating, slightly demented  look on the woman’s face, whose hairline is shaved back in the standard of beauty of the time.

Melancholy, by Alvor

The Green Witch is a master of putting on a false innocence.

medieval kirtle

To the left is a Medieval kirtle. Basically, what we would consider now a dress, but in the Middle Ages it served as the middle garment of three for most women. The base garment was a chemise or smock which was worn closest to the skin, then came the kirtle, then a gown or surcoat, the multiple layers necessary in a time without central heating. The kirtle was designed to be close-fitting and served as support for the body, important in a time without corsets or brassieres. That the Green Witch rode around in just her kirtle would have been a little racy or inappropriate for Medieval society, as that was considered an “at-home” style. The low-hanging belt on the kirtle was a common accessory and emphasized the lady’s waist and hips.

Pauline Baynes’ illustration of the witch doesn’t exactly show this garment, but by the Baroque period, the kirtle had many variations, some being indistinguishable from modern dresses… that is, those with a fitted bodice and gathered skirt sewn on separately.

The kirtle was revived in the late Victorian period as the “tea gown,” a loose dress worn by the wealthy for lounging in during the day, opposed to the tight, corseted affairs worn for dinners and social outings. Tea gowns were beloved by the pre-Raphaelites, and the pre-Raphaelites, I believe, to Mr. Lewis.

The Mandolin Player, by Charles Fairfax Murray

I wonder if Lewis had seen this image somewhere and based his witch on it?

White Witch, plus Elephant

I forgot to add this picture to my previous post. Not sure if it’s meant to be the White Witch, but it could… except for that elephant head peeking out from top left, and the cathedral-like imagery.

Narnian Witches: The White Witch (AI Remix)

Or  “The Persistence of the Big-Ass Crown.”

AI art engines have come a long way since last summer, which is when I started using them — being sick at home with COVID was the perfect excuse. They’re also a neat way to visualize a character using your own prompts. Such as, what would The White Witch look like if designed after the characters in the 1968 SF movie Barbarella?

There’s both a blonde and a black-haired version! I prefer the latter even though Lewis never specified the color of her hair. Notice the tinseled, silver costumes of the extras behind her.

A white witch after William-Adolphe Bouguereau, done in NightCafe, that turned out to be more like the Pauline Baynes illustration in the book. The engine ignored the instructions about her crown, which was to be small. Still a nice depiction  with the stern look on her face.

The same prompt in StarryAI, with additional words indicating a background. Now she has a broomstick and some chagrin that the snow is melting so quickly. Ignore the hotdog fingers on her right hand, please. Again we get that big-ass crown.

A photorealistic angry White Witch who, I imagine, has just sighted Aslan and knows that he will be her foe.  As is par for the course ifor AI engines, the human expressions lack subtlety, looking more like commercial stock photography than anything naturalistic. Aside from the black, featherlike protrusions on top of her crown, it could be real.

A quartet of gorgeous White Witches rendered in Midjourney v.5.2, using “graphic novel” as the prompt and P. Craig Russell as the artist (he did the work on The Problem of Susan). As is par for the course, more decorative and “commercial” than not. I am most fond of #4. That would be a great costume design for a new LWW movie.

I tried to see if the same engine could replicate the look of Baynes’ illustrations from The Lion, the Witch, and the Wardrobe, but it repeatedly ignored my instructions for a “very simple pen sketch, B&W.” This was the best I got out of several attempts.

NOT pen and ink, and NOT simple. All the ones in this batch tended to look like Catherine Zeta Jones, for some reason. Notice she has a right foot, but no leg!

The same prompt but with Frank Frazetta as the artist.

Now that’s a witch! Even if her hands are doing something murky, and she’s got tree branches stuck in her crown.

Finally, I uploaded a sketch of Baynes’ for reference — it was of Queen Lucy dancing with Mr. Tumnus from The Horse and his Boy, very simple yet evocative.

Hmm, it looks the hand of Pauline Baynes has merely copied the look of the same woman who modeled for the two pictures above. But honestly, I think it’s the best I can get out of that particular program, and finally, her crown is of normal size.

Worldbuilding Wednesday 7/5/23: From the Spellbook of the White Witch (Narnia XLIV)

Four AI depictions of how terrifying the White Witch could be. Note Midjourney V5.2 is still having some problems with digits.

In The Lion, the Witch, and the Wardrobe, the White Witch (Jadis) demonstrates several magical powers that show her might: she can disguise herself and her servants as inanimate objects, can summon evil supernatural creatures and cause them to do her bidding, and control the weather to the point where Winter reigns in Narnia for a century. She also has a powerful magic item: a wand that turns living beings into stone. Even if she had no more magic than this, she is quite powerful.

But I am sure she had more. Here’s a glimpse of them, available for fanfic if you write it.

 

The White Witch’s Spells and Magic Items

Bitter Massif: Created a snowstorm on top of a mountain that would sweep down into the valleys below. Instrumental in the witch’s conquest of Narnia.

Breakfast of Water: To torture her prisoners the witch used this spell. Captives were  given only a pan of water a day for sustenance, but it contained all the nutrients to keep them healthy and alive.

Cape of The Sabretooth: One of the witch’s most prized garments, made from the pale, tawny skin of one of these great felines of the north. The fangs of the cat were worked into two ivory clasps to hold the cape closed. The very sight of it inspired a primal fear in all of Narnia’s animals.

Chamberbracken: When the witch wanted to punish some poor creature she would cast this spell on their dwelling, which caused it to be filled with weeds and thorns.

Flattering Ballad: The witch cast this spell on musicians so they would sing her praises and deeds of accomplishment. Unfortunately, in the time of the Long Winter, humans and nymphs had long left her kingdom, leaving her with the less than tuneful warblings of the dwarves.

Maropher’s Advanced Kraken Summoning: The witch used this spell only once, during a state visit by her to the Lone Isles. It summoned a giant kraken from the depths to pull her ship, as she had no human sailors.

Nose of Salt: Used to punishment the disobedient, this spell made them feel their face had shoved nose-first into a bowl of salt crystals and kept there until they were almost unconscious.

Petrification until Approval: Often the witch cast this spell on the statues she made with her wand, releasing their petrification when a certain condition was met. It was common knowledge  underlings who displeased her were petrified and posted as guards, coming back to life only if intruders entered their area.

Scroll of Collection: The witch collected her taxes and other tributes with the aid of this device. It looks like a tightly rolled scroll. On her command, it opened out so the oppressed could deposit their coins or other small treasures on the parchment. The scroll then rolled up again and flew back to its owner.

Winter Smoke Ring: Creates a hovering, freezing ring of misty vapor that encircles an opponent and wraps them tightly, chilling them so badly they can’t move.

Fire and Ice

The two villains of Tolkien’s trilogy and Lewis’s Narnia come together for tea. Scones, anyone?

 

Worldbuilding Wednesday 6/28/23: Elegant Es

E is not one of my favorite letters, I’ll admit. True, it can be elegant, extravagant, enticing, enjoyable, and a slew of other en- words. But it’s also enormous as an elephant, with an old-fashioned, outdated, Victorian feel. Sound out the words Elizabeth, euphonious, evangelist, and Euphrates, and you will see what I mean.

Though I don’t use it often for characters, if  you’re writing fantasy, here are a few.

 

Character names beginning with E

Male

Ebliardo

Edrid

Elach

Elehir

Elzbald

Ensudo

Enzamer

Epion

Erán

Ereshnay

Erstillund

Esliz

Esnyo

Ettu

Euchravius

Euphorio

 Female

Eáfine

Elfleta

Eghina

Ehlessa

Elsaria

Enaura

Endalyne

Engra

Erinka

Erizandra

Erla

Erlandza

Essna

Etanjë

Eullia

Evwen

 Surnames

Eastbriar

Eastmuir

Edelspenny

Edgepipe

Eigwister

Ellandun

Emulion

Enderweldt

Erkskaith

Erthmoss

Eschfarroë

Espantos

Esvrark

Eubell

Evenbarn

Exgarden

Narnian Witches: The White Witch

Artist: Mab Graves

Over the past year I’ve come across many more depictions of my favorite Narnian character, The White Witch, who is open to more interpretations than any of the “good” characters the reader is supposed to align with. The children mostly differ in the color of their hair, while Aslan is nothing other than a golden-maned and golden-pelted lion. (Well, in the stage versions he varies.) The Talking Beasts are always anthropomorphized animals, and the Narnian humans always adhere to types found in a Victorian version of 12th century Europe. But The White Witch, because she is an invador and an alien to Narnia, can be treated more exotically.

Take the illustration at the left by Mab Graves in which both the witch and Edmund have oversized, doll-like heads as if they belong in a children’s book. But instead of being cute, the heaping of treacle makes them eerie.

Art by Cian O’Reilly

This sketch by Cian O’Reilly shows the witch speeding along in her sleigh. She doesn’t need reins to control her reindeer, only an imperious gesture. She’s also overtly sexy with her exposed bosom and thighs.

A narrow and elegant witch that’s more covered up, but still sexy, with the long black hair that’s canon for her.

An ink sketch similar to Pauline Baynes’, but with the witch’s costume taking after the 1988 BBC production.

Another sketch, this time pencil. She could be either in Narnia or Charn, but I’m guessing Narnia because of her fur cape.

White Witch by C. Desiree Blackburn

A lovely painting with a sparsely designed gold crown, black hair, and full red lips. She looks both sensual and cold. Her contracted pupils are especially strange against her pale blue eyes.

The witch as a vamp. Too happy to be evil? The crown of ice crystals growing out of her hair takes after Tilda Swinton’s depiction.

A super photoshopped witch with flying hair and an oversized staff instead of a wand.

A White Witch from a stage production looking more like a run-of-the-mill Snow Queen than an evil Empress who once ruled an entire planet.

This costume shows more originality with its lacy beaded turban dripping with pearls.

Not sure if this is the White Witch, but if so, it’s another fine original costume.

Lastly, the witch as a silhouette, with Edmund in the corner.

 

Summer of Narnia 2023

Since summer starts with the solstice, it’s time for Summer of Narnia 2023! Photo essays, commentary, critiques, and much more!

(On the above scene. It’s an AI landscape generated in ERNIE that embodies the otherworldly feel of Narnia, particularly its unexplored west and south. I mean, volcanic mesas covered in soft spring grass, with waterfalls? That’s a place that couldn’t exist on earth.)