The Lady and the Dragon, Part I

One thing I have realized this month, with its emphasis on humanoid dragon girls, is the fevered power of female sexual imagination. For most of the Western world dragons have been long been creatures of evil and corruption, yet modern artists are making them over into blazing paragons of female beauty. How I would have loved to see this in my childhood! I had always liked dragons, to the extent of identifying with these creatures in make-believe games. And why not? They were singular and powerful. That artists are now making the fantasy come alive has been a revelation.

I can tell you back then it was not kosher to be in love with dragons the way these artists are today. Sure, there were dragons around. The association of the dragon with evil was beginning to soften in the 1960s, with the children’s song Puff the Magic Dragon by Peter Paul and Mary, and Ollie the dopey one-fanged dragon from the puppet show Kukla, Fran and Ollie. Cecil the Serpent helped as well; he was dragon-like in appearance if not exactly a dragon. Disney too contributed sympathetic dragons, such as the title character of The Reluctant Dragon. But, these were all male. Female dragons were left out of the mix, save for Maleficent’s magnificent transformation in Sleeping Beauty.

Where did this association of female dragons with evil come from?

In the Biblical story of Adam and Eve, the Serpent, the tempter, is never explicitly defined as Satan in the text. A Jewish text written later in the 7th century, Alphabet of Sirach, identifies the Serpent as Lilith, Adam’s first wife, who left him for expecting her to “lie beneath” him during sex (that is, be subservient) to him. Seeking revenge on God and Adam, the story goes, Lilith turns herself into a serpent to tempt Eve into corruption. Many Medieval paintings of Eden reference this legend, giving the Serpent a woman’s head. I can see why. Visually, it’s more interesting. Genesis also hints the Serpent loses its legs over the incident, so in addition to having a woman’s head, the Serpent has two or sometimes four limbs and becomes a lizard-like or dragon-like creature. Adding to the confusion, serpent and dragon are often used interchangeably in the Bible as synonyms for evil, so Serpent-Lilith becomes a female dragon. To make things even more complicated, the original story may have been written as satire, not religious dogma… the early Medieval equivalent of Woody Allen!

Adam and Eve committing original sin, detail from The Virgin of Victory, 1496, by Andrea Mantegna (1431-1506), tempera on canvas, 280×166 cm.

Serpent-as-Lilith has a woman’s face here, but her hair is more stylized, like a sculpture of the Green Man motif common on European fountains.

In this illustration from a Medieval Book of Hours Serpent-as-Lilith has breasts, a scaled body, and two clawed feet, giving her a wyvern-like appearance. Again her lower body seems very sculptural, like what is termed a Grotesque in Baroque art.

The Serpent has become a strange cockatrice-like monster in this German depiction, but with Lilith’s head. Clearly the artist was using artistic license.

Hugo van der Goes, The Fall of Man and The Lamentation

Hugo van der Goes, The Fall of Man and The Lamentation, 1470 – 1475

Lilith has become a platypus-like creature in this luscious, yet awkward, rendition by Hugo van der Goes. Or maybe an otter? She’s kind of endearing.

The meaning of the artwork is all too clear. “Bad” women corrupt as dragons poison and corrupt, as dragons were wont to do in the ancient world. “Bad” means disobedience. “Good” women are pure, ignorant, and should be obedient to men, even if Eve wasn’t in this case. Some artists took things further by depicting Lilith with black hair (non-white) and Eve with blonde hair (white and pure.) C. L. Moore’s classic short story “Fruit of Knowledge” uses this trope. It’s available to read online.

And why did Adam have two wives? Because there were two Genesis stories of Mankind’s creation! Because the Bible was the literal word of God, they both had to be true, right?

Getting back to Lilith, scholars have traced her origin to ancient Mesopotamia, where the lilitu were female demons. The goddesses of Tanit, Astarte, Innana and Ishtar, belonging to nations of pagans that were enemies at one time of the Jewish people, were also incorporated into her character, and so begins the strong-woman-as-demon trope… blah blah blah virginwhorecakes.

But Lilith has had the last laugh. A series of influential music festivals has been named after her! All Eve has is a douche and a forgotten brand of cigarettes.

Burney Relief, Southern Mesopotamia, 1800 - 1750 BCE

Burney Relief, Southern Mesopotamia, 1800 – 1750 BCE

The goddess depicted on this plaque may be Lilith, Ereshkigal, Ishtar, or Inana; no one knows for sure. She has a dragonlike appearance almost akin to a modern Dragon girl, though her feet and wings are actually thought to be avian, perhaps those of the owl with which she is associated. Still it’s a powerful image, full of female power… and supremely predatory.

Ravishingly Reptilian

Even dragons like to go on vacation.

 

(Summer Fun: The Dragons, by Luvythicus)

 

Worldbuilding Wednesday 9/19/18: Individual Dragons III

The earliest edition of  Dungeons and Dragons released in the late 1970s listed only ten different types of dragons for adventurers to test themselves against. The good-aligned ones were Metallic: Copper, Brass, Bronze, Silver, and Gold, while the evil ones were Chromatic and named after colors: Black, White, Blue, Red, and Green. Each type had different habitats, breath weapons, and personalities.  Gold dragons, for example, were patterned after Asian ones, while Black ones spat acid and lived in swamps.

AD&D Gold dragon

AD&D Gold dragon

In the decades since dragon species have multiplied for the game, including  new additions to the existing types (like Brown and Steel dragons) to whole new types (Gem dragons, Space dragons) and even different subspecies or states of being for regular dragons, like the humanoid Dragonkin and Dragon liches. This helpful chart by artist Jason Thompson displays the relationships between the variously types and is a true labor of love.

Despite all the draconic overdrive, the original ten species remain strongly at the game’s core.

Here’s some randomgen AD&D good-aligned dragons for your own campaign use.

Metallic dragons

Unthz

Small, young female silver dragon. She likes to hoard pelts and furs and has a tough, wrinkled hide covered with a few dull blue freckles. She speaks in a soothing human voice and has a confidant, self-assured personality. Despite her youth, rumor says she caused the ruin of several local goblin communities. Unthz dwells in an old monastery high in the mountains. She often takes the form of one of the local human nomads, varying the age and gender.

Draukkrung

Large, very old, male brass dragon known as “The Elder Hero” by the Elves. Draukkrung likes to hoard suits of armor in addition to precious objects made of wood and plant fiber. Much of the armor was gifted to him by grateful elves. Draukkrung has dry, scaly bronze skin with a faint metallic purple cast. He has a casual, conversational, relaxed manner when dealing with humanoids. With other intelligent creatures, he is more brusque. Much of Draukkrung’s magic centers around attack spells, and is more likely to be the aggressor rather than the defender in combat situations. In addition to his breath weapon attacks he can stun opponents with an unearthly screech, an ability that was entirely self-taught.

Firespark

Slim, mature adult female gold dragon. Firespark’s golden scales are exceptionally tough and sport light gold speckles. Firespark has a no-nonsense manner and a loud, commanding voice. Like many gold dragons she craves knowledge and likes to hoard tomes of magic, even if she can’t use them.  She has been known to host human and elven sages in her canyon cliffside lair. To guard it when she is away, she employs four dragonnes who are magicked to serve. She often disguises herself as a shaman of the native elves who live in the canyons.

Unthbegonne the Terrible

Ancient two-headed male silver dragon. Despite having two heads, he has only one consciousness. He likes to hoard magical items and keeps trophies from defeated enemies. Unthbegonne has fine, scaly skin with metallic blue-white blotches. Despite being labelled “The Terrible” he is genuinely fond of human children and often fosters orphans. He lives alone under a remote glacier, having never found a dragon mate who could accept his extra head. (When shapechanged, he does not have an extra head.) Unthbegonne is very close to a local city of humans and often visits there in his human form.

Ginth

Young female brass dragon. She has a musical voice and laughs freely and often when conversing, which, being a brass dragon, she does most of the time. Her thick, scaled hide is dark brown with touches of red on her legs and belly. Ginth dwells with several of her littermates in a large, sandy lair. She has taken to hoarding magical items that deal with plants, and is very proud of this growing collection.

Ziove

Large wyrm-age male bronze dragon. Ziove is half again as large as others of his age, a truly massive creature. He has strong, supple scales dappled with light orange flecks.  Ziove lives with his mate in a cliffside lair overlooking the sea. He has a world-weary, tattered appearance and periodically snorts out steam from his nostrils. His long tail has been truncated from a fight with a red dragon. He is an elder in the bronze dragon community and is often asked for help or advice from younger dragons. Ziove is equitable and reasonable. The only exception to his placid nature is his feud with the red dragon who maimed him. He will gladly pay humans in gold for any information they have on that creature so he can seek his vengeance

Kakiffier

Immature, very young female copper dragon. Likes to hoard bones, as she hasn’t quite figured out the value of treasure yet. Her armored hide is light brown, covered with small black spots. Though she has a frail appearance, Kakiffier is strong as any dragon and likes to tease lesser creatures by chasing them to exhaustion. When she speaks, it is in a hissing voice like bacon frying in a skillet, with a sinister laugh.  She has an insatiable appetite and will look kindly on anyone who provides her with her favorite food (giant scorpions and large, poisonous snakes.) Her lair is a small, dry cave.

Oorlcint

Small, plump, adult female bronze dragon with rough-scaled skin and faint purple stripes. Oorlcint has rugged jaws filled with jagged teeth, and hence a discomforting grin. She prefers to buy treasure rather than take it by force, and one of her favorite things to buy is bejeweled fossils. She is fastidious about her lair, which always smells like fresh-cut lemons. She is friendly, but tends towards lawful neutral in alignment and is often at odds with other bronze dragons because of this. Her favorite food is ichthyosaurs.

 

 

Dragon Hybrids That Didn’t Make the Cut

Evil sorcerers are known for their meddling in the dark arts, and that includes the creation of new and novel  dragon breeds. But not all of them made it into the dark army or evil fortress.

The lobster dragon tasted delicious on toast. They were slaughtered by the thousands.

Cow Dragon by Lindsey Wart

Cow Dragon by Lindsey Wart

The cow dragon could give no milk, and was pigeon-toed to boot. Plus it needed time to chew its cud.

The wiener dog dragon had speed and agility, but made opponents laugh with its strange yipping roar. It also had a tendency to lie down in a patch of sunlight with its belly exposed instead of fighting.

Dragon Crab, by Djingo

Dragon Crab, by Djingo

Of the horrible dragon crab, the less said, the better.

Artwork by Cynthia Sheppard

Artwork by Cynthia Sheppard

The dragon cat, like all cats, proved to be completely ungovernable. Some still exist today in wild, out-of-the-way places.

 

Saucily Scaled

Glamour, thy name is Draco Terribilis.

The Pernese Dragon

Anne McCaffrey’s Pern series  put dragons on the map in the science fiction and fantasy world as both plausible alien creatures and the brand-spanking-new fantasy trope of the all-knowing, intelligent animal companion. The first two stories, “Weyr Search” and “Dragonrider” were published in Analog magazine in 1967; they later were incorporated into the first Pern novel Dragonflight.  Published in 1968, it led to sequel after sequel that expanded upon the world of Pern and its medieval culture of lords and commoners, the poisonous alien spores that periodically fall from the sky, and the dragons and dragonriders that fight them.

I’ve got problem with the books themselves (see here) but have always loved the concept of alien dragons. Here’s different ways artists have depicted them.

Artist Unknown, late 1960s

One of the first covers of Dragonflight, a British edition, for all of 25p (!) It’s abstracted as were a lot of covers in the late 1960s, with a vague Gustav Klimt look, but artistically, not too bad. I can guess that the sheer volume of paperbacks published back then required quick turnaround for covers, and this one might have taken only a few hours, compared to a few weeks, for, say, a Michael Whelan cover. The dragon looks alien and monstrous, but the bright colors are attractive to the eye.

dragonflight pb cover

Artist Unknown, mid-1970s

Cover from one of the first US paperbacks, mid-1970s. It’s intriguing, but let’s face it, it’s not a literal scene from the book. The undress of Lessa and her fluttering hair and robe are more in line with a Harlequin cover, though not the sideboob which was more common for SF and fantasy of the day, as were her gold sandals. The dragon’s head looks fine but not its neck, which is twisted awkwardly as it looks over its shoulder. In fact, it seems to be looking at the Red Star, the source of all Pern’s troubles!  It echoes the Chinese legends of dragons pursuing pearls through the sky.  In hindsight it’s not a bad bunch of analogies, but the whiff of cheese still lingers.

Poul Alexander cover for Get Off the Unicorn

Poul Alexander cover for Get Off the Unicorn

A very vicious-looking hatchling dragon appearing on the paperback cover of  Get Off the Unicorn, a collection of McCaffrey short stories including “The Smallest Dragonboy” which inspired my own story “The Unchosen.” When I saw this cover in the mid-1970s as a teen I snatched it up from the drugstore book rack right away, because of the strength of that dragon. It’s a very powerful image even if a false depiction. The eyes aren’t multifaceted for one thing, as in the McCaffrey canon, but most of the artists don’t get that detail right.

And… actually… McCaffrey never sent into much detail describing the dragons, save they had smooth hides, forked tails, a pair of head knobs, and were variously colored green, blue, brown, bronze, or gold.

Michael Whelan cover for Dragonflight

Michael Whelan cover for Dragonflight

An eighties depiction by SF and fantasy artist Michael Whelan who painted a lot of covers. His creatures are more like robust pterosaurs, more alien looking than the multihorned, clawed versions above. They’re also not as fun. But the painting is magnificent in how it captures how they swoop and dive. Lessa here seems to be dressed more appropriately for flying. She raises her arm in triumph as she leads her flight.

Artist Tony DiTerlizzi, Dragonflight

Artist Tony DiTerlizzi, Dragonflight

This version shows creatures as more alien yet, with bulging, multifaceted eyes. The size also seems “right” for how they are written in the stories. I like this one a lot, because it balances what we think of as a dragon, and how an alien biology would come up with something like a dragon. For example, those eyes seem like they might be withdrawn into the creature’s skull at will, perhaps protecting them from the Spore.

A depiction of Jaxom and Ruth, by Tim Hildebrandt

A depiction of Jaxom and Ruth, by Tim Hildebrandt

A Tim Hildebrandt version of Jaxom and his white dragon Ruth. Ruth is depicted in a way similar to the artist’s earlier Smaug, but I don’t understand why Jaxom is wearing caveboy garb. As the son of a holder, shouldn’t he be able to afford nicer clothing?

Cover for The Dolphins of Pern, by Rowena Morril

Cover for The Dolphins of Pern, by Rowena Morrill

Rowena Morrill’s version. She gets the multifaceted eyes right, and the sheer energy of a dragon playing in the surf. But this is one odd-looking creature. It has pecs, for one thing, and its humanlike arms seem too small for that massive neck and chest, giving it a Tyrannosaur look. The rider and wings look oddly detached from the rest of it. Not one of her better efforts, but at least she read the book!

Steve Weston, cover for Dragondrums, British edition

Steve Weston, cover for Dragondrums, British edition

Artist Steve Weston did few covers for British editions versions in the Pern series. His dragons are more detailed, especially their wings which grow out of a lattice of connective tissue. They have an Oriental feel, especially the heads and the talons. To my mind it’s an attractive depiction.

Artist Eric Deschamps, Dragondrums

Artist Eric Deschamps, Dragondrums

Here’s another dragon I like a lot. It shows more color than the previous versions — the creatures have markings here, like birds or modern depictions of dinosaurs, though again the artist missed those multifaceted eyes. My second favorite.

Worldbuilding Wednesday 9/12/18: Individual Dragons II

dragon-shark hybrid

A drark, also known as a dracoshark

In the fantasy world, you can pretty much combine any any other animal into a creature and still call it a dragon. Dragon turtles are the terrors of AD&D maritime kingdoms. A Chinese dragon/lhasa apso hybrid featured strongly in The NeverEnding Story movie. And as I’ll continue to do on my site for September, there are plenty of dragon girls posing and looking pretty in all their scary — and scaly —  beauty.

For a dragon that’s a little different, here are some  ideas.

A few random, unusual dragons

Koule

A limbless wyrm covered with oily-looking blue and green scales, Koule collects objects made of silver. Intelligent and nature-loving, he eats trees and plants instead of meat to lessen his impact on the environment. His teeth are blunt, not fanged, and he speaks in a musical croak. Nevertheless he is as greedy as any dragon. Instead of fire he breathes out a thick black smoke that causes those trapped within it to gasp and choke.

Gamnur

An albino male dracodile, or dragon crocodile. Gamnur does not hoard treasure but collects random pieces of wood that are valuable only to him. He breathes out acidic spume at opponents while they are immobilized in the thick mud of his swampy home. Gamnur is crafty with a keen intelligence and very observant. Like a crocodile, he often lies motionless just under the surface of the water. He greatly resents intrusion and is always on the defensive.

Kraknix Sunwatcher

Kraknix is a young female dracoon (dragon racoon) with intermingled golden scales and light orange fur. She is the size of a small bear and has brown leathery wings. Kraknix collects natural history books and interesting pieces of driftwood, and her manner is curious, kittenish, and inquisitive. Her breath weapon is a shower of hot sparks.

Ithaud Dreamshade               

A venerable male dramerlion, or dragon mer-lion, covered with emerald green, fishlike scales and a purple mane. His eyes have no pupils. In manner he is self-assured and peaceful. He is fond of opals and pearls and attacks with electricity generated from his mouth. He lives on the sea bottom in a castle formed of living coral. He often associates with mermaids and other sea folk.

Mneur Misthaven

Mneur is a very rare dreetah, or dragon cheetah. She has finely textured, pale gold scales spotted like the fur of that big cat and her breath weapon is a cloud of hallucinogenic gas that incapacitates her enemies. Mneur jealously guards her savannah from intruders and isn’t above making a snack of them. On the ground, she is rumored to be the fastest of all dragonkind.

Cheu-saa

Cheu-saa is a massive green drark, or dragon shark. He can be heroic but also greedy, especially for rare seashells and pearl jewelry. Cheu-Saa loves gossip and speaks in a baritone human voice. He breathes out gouts of fire that boil the seawater around him.

Anchovash

A massive female dracolisk, a dragon-basilisk hybrid with dull gray scales and small, blunt horns. Her breath turns nearby creatures into stone which she uses to decorate her lair. She often travels in guise of a human gypsy minstrel and will lure attractive humans to a quiet area where she can “stone” them.

Zeike

Zeike used to be a draconix, or dragon phoenix, until he became an undead, zombie-like lich. Now his brilliant gold, red, and orange scales are dull and lifeless, and his wing feathers tattered and gray. Zeike remains good-aligned but is now a quiet, depressed creature. He still collects interesting rocks and minerals as he used to and keeps his pride and sense of responsibility. Unlike a normal phoenix he can’t resurrect himself, but can still breathe fire.

Fetchingly Fanged

Cyguvid spent her days in luxury being fed bunches of grapes by her slaves.
Then she ate the slaves too.